An experiment between dancer and technology, in this case, Artificial Intelligence.

Technical development and production  Innovation:Lab in collaboratinon with Dutch National Opera & Ballet
AI development and visual design  Nikzad Arabshahi
Partner  &samhoud
Choreography Peter Leung

Dance and co-creator Zoe Greten

Music Handel & other music

Tickets & more info

More info

Human and artificial intelligence

In Pulse, the Innovation:Lab and &samhoud, together with choreographer Peter Leung, delve into the fusion of human and artificial intelligence. They developed a technological installation in which live performers and the audience co-create with AI.

What will we see?

On 19 June, we will see the presentation of this research. The dancer will be wearing a motion capture suit, a suit that records movements. Physical expressions such as speed and flow are converted into data that AI translates into emotions. This data feeds real-time visual and audio generators, which use light and sound effects to reflect and amplify the performer’s emotional state. In addition, we invite the audience to contribute to the presentation, blurring the boundaries between spectator and participant.

Pulse emphasises that humans are always central to technology. Just as a heartbeat is essential for life, human presence remains crucial in the application of AI. Human emotion and intelligence give meaning to data and create a vibrant and authentic performance.

Ethical questions

After the presentation, there will be a panel discussion reflecting on the role of AI in a creative process. The use of AI also raises ethical questions: is the machine’s interpretation really the same as the artist’s intention? How can we further improve the symbiosis between technology and performance, and do we really want to? The interaction with the audience also gets us thinking: to what extent is the audience ‘allowed’ to influence a performance?

Genevieve Murphy + Band

Credits

Genevieve Murphy concept, composition and performance 
John Dikeman saxophone
Andy Moor guitar
Laura Polence synthesizer, vocals
Henning Luther drums, electronics
Tom Van Der Borght costume
Nienke Scholts, Konstantina Georgelou dramaturgy
Peter Leung Final direction
Manuel Boutreur set technician

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

ORCHESTRA AND CHOIR SMR DE CUENCA - Semana de Música Religiosa de Cuenca

J. S. Bach: 300 years of the Passion according to St. John

On April 7, 1724, in the city of Leipzig, Johann Sebastian Bach's St. John Passion was performed for the first time. In 2024, when the 300th anniversary of its first performance is celebrated, it will be performed once again in Cuenca, in a production of the festival itself, with the participation of the SMR Orchestra and Choir of Cuenca, and the stage direction of the prestigious English choreographer Peter Leung.

ORQUESTA Y CORO SMR DE CUENCA - Semana de Música Religiosa de Cuenca

J. S. Bach: 300 años de la Pasión según San Juan

El día 7 de abril de 1724, en la ciudad de Leipzig, sonaba por primera vez la Pasión según San Juan, de Johann Sebastian Bach. En 2024, cuando se celebra el 300 aniversario de su primera interpretación, sonará una vez más en Cuenca, en una producción propia del festival y que contará con la participación de la Orquesta y Coro SMR de Cuenca, y la dirección de escena del prestigioso coreógrafo inglés Peter Leung.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

The Circle of Truth Part 2 is the second edition of DOOR Foundation's Truth Trilogy, following the successful Part 1 performed in 2022. Set in a large metal warehouse at the NDSM, DOOR Open Space, 'The Circle of Truth' is inspired by the Faustian way we navigate our lives in this post-truth era.

Once you pass through the small door beneath the vibrant red neon circle, you embark on an immersive journey into the heart of truth.

Tickets + more info

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

Imagine a world without colour, in which everybody is exactly the same, where every creation looks the same. And where being different isn't appreciated. 

It may look practical at first, but you'll soon discover that to flourish, diversity is key.

It’s Avery’s first day as a Bizzybee. Bizzybees need to conform to the norm to be most productive, but Avery's rebellious splash of colour might just save the day. 

Let a dancer and Dianto Reed Quintet take you on a musical exploration of joy, playfulness, emotions, and self-expression. And of learning the difference between working alongside each other and working together in harmony.

Tickets + more info

Created by:

Dianto Reed Quintet music

Graziana Veneziano danse

Hugo Bouma musique, arrangements

Peter Leung conception, mise en scène, chorégraphie

Marlies Schot & Marieke Van Veen décors

Freja Roelofs costumes

Michael Morgan lumières

Sterre Van Rossem dramaturgie

Brigitte van Hagen assistant mise en scène

Clara Superfine assistant mise en scène

My latest work, will be shown alongside the premiere of a work by Daniela Cardim, as part of New English Ballet Theatre’s season.

More info and tickets

Choreography / direction Peter Leung

Composition Nicholas Thayer

Dancers / collaborators New English Ballet Theatre

Costumes Peter Leung & Sara MacKenzie

Costume maker Becky Davies Costume

Rehearsal director Nicky Henshaw

My latest work, will be shown alongside the premiere of a work by Daniela Cardim, as part of New English Ballet Theatre’s season.

More info and tickets

Choreography / direction Peter Leung

Composition Nicholas Thayer

Dancers / collaborators New English Ballet Theatre

Costumes Peter Leung & Sara MacKenzie

Costume maker Becky Davies Costume

Rehearsal director Nicky Henshaw

My latest work, will be shown alongside the premiere of a work by Daniela Cardim, as part of New English Ballet Theatre’s season.

More info and tickets

Choreography / direction Peter Leung

Composition Nicholas Thayer

Dancers / collaborators New English Ballet Theatre

Costumes Peter Leung & Sara MacKenzie

Costume maker Becky Davies Costume

Rehearsal director Nicky Henshaw

‘All in Passing’ is a dance piece for 7 dancers. The piece is a commission from New English Ballet Theatre.

The work is an exploration of relationships through dance; the relationships come and go; they are tender, aggressive, full or promise or doubt…

TICKETS & INFO

‘All in Passing’ is a dance piece for 7 dancers. The piece is a commission from New English Ballet Theatre.

The work is an exploration of relationships through dance; the relationships come and go; they are tender, aggressive, full or promise or doubt…

TICKETS & INFO

Shadows move between light and dark. They are always present but sometimes they suddenly grab our attention. In Schaduwspel (Shadow Play), clarinettist Jelmer de Moed (finalist Dutch Classical Talent 2022) and soprano Elisabeth Hetherington explore shadows in music, in space and in film. Between text and melody, leading and following, looking and being seen.

Jelmer de Moed graduated with an early version of Schaduwspel, and immediately managed to make a big impression with his ambition and vision as a young musician. It is the first production of his freshly founded Studio De Moed, in which he brings together makers from different disciplines with the aim of renewing and enriching classical concert practice.

Schaduwspel will play in four time slots of 45 minutes each, from 20:00 to 23:00, alternating between music by Amarante Nat and Nuno Lobo. In this time slot you can hear the composition by Amarante Nat.

PERFORMERS

Jelmer de Moed - clarinet and concept
Peter Leung - final direction
Elisabeth Hetherington - soprano
Naida Amorim - scenography
Boris Peters - cinematography
Amarante Nat - composition
Dario Giustarini - technology

Shadows move between light and dark. They are always present but sometimes they suddenly grab our attention. In Schaduwspel (Shadow Play), clarinettist Jelmer de Moed (finalist Dutch Classical Talent 2022) and soprano Elisabeth Hetherington explore shadows in music, in space and in film. Between text and melody, leading and following, looking and being seen.

Jelmer de Moed graduated with an early version of Schaduwspel, and immediately managed to make a big impression with his ambition and vision as a young musician. It is the first production of his freshly founded Studio De Moed, in which he brings together makers from different disciplines with the aim of renewing and enriching classical concert practice.

Schaduwspel will play in four time slots of 45 minutes each, from 20:00 to 23:00, alternating between music by Amarante Nat and Nuno Lobo. In this time slot you can hear the composition by Nuno Lobo.

PERFORMERS

Jelmer de Moed - clarinet and concept
Peter Leung - final direction
Elisabeth Hetherington - soprano
Naida Amorim - scenography
Boris Peters - cinematography
Nuno Lobo - composition
Dario Giustarini - technology